Resources / Inspiration
‘To say « we must dig in » or « here we must draw our line » is a far more universal application than growing your own food or living in the country. One of the key problems in American society now, it seems to me, is people’s lack of commitment to any given place- which is, again, totally unnatural and outside history. Neighbourhoods are allowed to deteriorate, landscapes are allowed to be strip-mined, because there is nobody who will live there and take responsibility; they’ll just move on.’Gary Snyder. Excerpt from The Real Work. Interviews and Talks 1964-1979. New Directions, 1980, p. 117.
RESOURCES
Grande, John K.
Balance: Art and Nature. Montreal: Black Rose Books, 1994.
International Triennial Ecology and Art
(4th). 4. Mednarodni Trienale Ekologija in Umetnost. Maribor, Slovenia: Umetnostna Galerija Maribor, 1992.
Ecovention: Current Art to Transform Ecologies.
Sue Spaid and Amy Lipton, curators. Cincinnati: The Contemporary Arts Center and greenmuseum.org; ecoartspace, 2002. Published on the occasion of the exhibition held at the Contemporary Arts Center, June9 -August 18.
Emerson Gallery, Hamilton College.
Listening to the Earth: Artists and the Environment. Clinton, NY: Emerson Gallery,1995.
Listening to the Earth: Artists and the Environment. Clinton, NY: Emerson Gallery,1995.
Gallery Route One.
What Have We Got to Lose? Artists and the Environmental Crisis. Point Reyes Station, Calif., 1990.
Gelburd, Gail Enid.
Creative Solutions to Ecological Issues. New York: Council for Creative Projects; Philadelphia: dist. by University of Pennsylvania Press, 1993.
Green, Charles.
The Third Hand: Collaboration in Art from Conceptualism to Postmodernism. Minneapolis, MN: University of Minnesota Press, 2001.
Grande, John K.
Art Nature Dialogues: Interviews with Environmental Artists. Albany: State University of New York Press, 2004
Gablik, Suzi.
Conversations Before The End of Time. New York; London: Thames and Hudson, 1995.
Gablik, Suzi.
The Reenchantment of Art. New York: Thames and Hudson, 1991.
Korp, Maureen.
Sacred Art of the Earth: Ancient and Contemporary Earthworks. New York: Continuum, 1997.
Stam, Herd.
Crop Art and Other Earthworks. New York: H.N. Abrams, 1994.
Association des Femmes Diplomees des Universites.
Femmes de Parole et Ecologie: Art Actuel, 1988. Maison de la Culture Cote-des-Neiges,1988. Montreal: Association des Femmes Diplomees des Universites, 1988.
Benthall, Jonathan.
« The Relevance of Ecology » in Battock, Gregory. Idea Art : A Critical Anthology. New York: Dutton, 1973.
Institute for Contemporary Art and P.S.1 Museum.
Theatergarden Bestiarium: The Garden as Theater as Museum. Cambridge, Mass.: MIT Press, 1990. Exhibition organized by Chris Dercon.
Leeds City Art Gallery.
Andy Goldsworthy: A Collaboration With Nature. London and New York: Viking and Harry N. Abrams, Inc.
Matilsky, Barbara C.
Fragile Ecologies: Contemporary Artists Interpretations and Solutions. New York: Rizzoli International, 1992. Published in conjunction with the exhibition at the Queens Museum of Art, New York.
Natural Reality: Artistic Positions Between Nature and Culture/Kunstlerische Positionen Swischen Natur und Kultur. (Heike Strelow, curator). Ludwig Forum fur Internationale Kunst, Stuttgart: DACO, 1999.
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